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Two Cultures: Is Public Television Part
of the New Media?
Ernest Wilson, Dean of the Annenberg School for Communications at
the University of Southern California, is a member of the Corporation
for Public Broadcasting Board. He, too, wants public broadcasting
to tell a better story, but he points out that, at the moment, there
are two separate stories—the conventional, traditional argument
for public broadcasting, which appeals to the older, grayer part
of the population, and the very different, much more exciting, much
more optimistic message of the new media generation. One is “
‘woe is me, we’re dead, I’m losing my job, I can’t
find funding,’ yet at the same time you have another community
of people who are brimming with excitement. I don’t understand
why these two communities are not talking to one another,”
Wilson says.
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Patricia Harrison |
“We’ve got to tell a better story,
one that people can remember in an elevator, and part of that story
is getting the traditional public service media together with the
new public service media, the bloggers and the people who are doing
stuff online, and then perhaps we can convince our communities that
we are really worth paying for.” Wilson points out that “the
paradigm under which all of us operate is changing radically and
none of us is really sure where it will go.” Then he makes
a passionate call to action: “What concerns me most of all,
both as a dean and as a member of the [CPB] board, is the debate
going on in the country about this digital transformation, the information
revolution, and I just do not see public broadcasting at the center
of that debate. It seems to me that every time you open a newspaper,
and every time you turn on a television set, and every time you
go to a community meeting, public service media should be right
there at the middle of the debate.” There is a sense of urgency
in that debate, and it’s that sense of urgency Wilson wants
to remind us of.
Alberto Ibargüen of the Knight Foundation
reinforces the point: “We’ve been a longtime supporter
of PBS and NPR. What we’re doing now, though, is really trying
to shift all of our clients, all of our grantees, to working with
new media. ... The focus needs to be on reach and on how this digital
stuff actually gets used.”
Although not everyone speaks out, it’s
clear that some around the table aren’t quite as all-embracing
in their attitudes to the new media. Public television, like news
departments of commercial networks, has built its reputation on
the premise that it is trustworthy, truthful and accurate—in
a word, authoritative. Vartan Gregorian articulates something that
many people at the table seem to feel. “Everything is ‘lite’
in America now,” he says. “Why don’t we have something
heavy, authoritative? It’s an important issue: as we develop
all these things, we’re trying to educate, not just to entertain,
not just to please, but to elevate by providing a national
vocabulary, national standards so that as the ephemera passes, people
will always return to what is best in our culture. We should not
apologize for quality.”
Ernest Wilson will certainly not apologize
for quality, but he is concerned that there are two cultures headed
in two different directions. “There is a group that should
not be underestimated, and that is younger people who do new digital
stuff,” he says. “They don’t get First Amendment
as much as we do, and they don’t get public ownership of the
airways, but they really do get ‘open source’ and ‘multiple
voices,’ and I think they really want to have a stake and
participation in this discussion. But it’s two cultures right
now—the traditional culture that we’re all involved
in and this weird new media culture. There should be a way, it seems
to me, to bring them together.”
The Local Context: Community Partners
Prior to attending the meeting, participants received a briefing
paper suggesting that public television’s most persistent
and pressing problem is the business plan on which it is based.
According to the paper this plan is built around localism, the sovereignty
of the local stations, to such an extent that the health of the
system as a whole, particularly of PBS and the National Program
Service, is dependent on the financial health of the stations. As
a result:
| The stations have too few
resources to enable them to offer very much in
the way of programs and services to their communities;
The communities’ pledge-giving to the stations is not
very generous;
Stations are unable to subscribe very much to PBS for national
programming;
National programming is therefore not as good or as adventurous
as it should be,
Which has a yet more deleterious effect on pledge-giving;
As a result, stations have too few resources to offer very
much in the way of
programs and services to their communities ...
And so it goes on, year after year.
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The briefing paper* argues
that the business plan needs to be changed or, at any rate, augmented,
and it suggests that the new digital and broadband technologies
provide the stations with a means of doing this, provided they are
prepared to rethink and (to an extent) reinvent themselves as “public
service media organizations.” The key to this will be a willingness
to partner with other community institutions, thereby opening up
new revenue streams and giving the stations an entirely new status
within their communities.
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Ernest Wilson DeAnne Hamilton
and Paula Kerger |
Not everyone would agree completely with
this assessment, but the five local stations represented at the
meeting were chosen because they have all developed new forms of
partnership with their communities. The
Cleveland station, known as ideastream, is probably the
best example. Created in 2001 out of the merger of two public broadcasters,
WVIZ-TV and WCPN-FM, the station labeled itself from the beginning
a “multiple media public service organization” whose
intention was to share its resources with the community. “People
in Cleveland were very excited about the arsenal of media that we
would have to address education and public service needs,”
explains Jerry Wareham, ideastream’s president, “but
they quite politely and quite sincerely asked ‘just what the
hell are you going to do with it, what are you going to address?’
Our response was something called the Listening Project. ... The
conversation is focused on the community, not on public broadcasting.
We don’t talk, we listen. And it is a transformative experience.
... People are asking not only that we provide information with
journalistic integrity, but also that we partner with community
organizations, that we convene community in order to address issues
and problems and that we facilitate a process of identifying and
implementing solutions in the community.
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